Chroma Studio Force D12 User Manual Page 27

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THEBVEDAILY
27
THEBVEDAILY
LOW-COST HC-HD300 STUDIO CAMERA
Ikegami Electronics
Stand: F25
By David Fox
Ikegami’s new “aggressively-
priced” HC-HD300 HD studio
camera is making its show debut.
The compact, flexible docking-
style camera can be used with a
newly developed control system:
the FA-300 fibre adapter and
BSF-300 base station, which can
provide power to camera via a
hybrid fibre cable.
The HC-HD300 has a
1/3-inch bayonet lens mount
and employs three 1/3-inch
CMOS progressive-scan
1920x1080 sensors, and
offers a 58dB signal-to-noise
ratio and 2,000 lux sensitivity
at F11 aperture in 1080/50i
mode. Other features include
focus assist and lens aberration
correction. It weighs 4.5kg
including the FA-300.
Also new is Ikegami’s HDK-97
Arri large-sensor broadcast
production camera with internal
HD to UHD upconversion
developed with Arri. The
docking-style camera includes
Ikegami’s latest 3G FPGA-
based DSP, for complete real-
time control of all grey scale,
colour, and detail functions. A
new 3G transmission system
transports video from camera to
CCU, as well as 3G transmission
from CCU to camera.
For slow-motion
applications, Ikegami has
the NAC Hi-Motion II sports
broadcast camera, jointly
developed with NAC Image
Technology, which can deliver
images at up to 20x slowdown.
The three-sensor system has
a B4 lens mount, and features
simultaneous record and replay
(96 gigabytes), with up to
1,000fps 1920x1080 capture.
In the dock: Ikegami’s
new HC-HD300 HD
studio camera
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