Chroma Studio Force D12 User Manual download pdf (Page 21)

THEBVEDAILY

REMOVING COMPLEXITY FROM VIDEO MANAGEMENT

Cambridge Imaging

Systems

Stand: N15

By Heather McLean

Cambridge Imaging Systems

is presenting the latest version

of its Imagen Enterprise Video

Platform here at BVE 2015.

The new version includes

WYSIWIG interfaces that

further simplify the way in which

content owners can manage

their vast quantities of data.

Imagen v3.5 gives full control

of the user experience with

WYSIWG page editors and a

range of handy widgets. Its

intuitive web interfaces enable

easy search and retrieval and

provides users with a great

range of features that will

enable them to play, edit,

download, share and much

more, according to Cambridge

Imaging Systems.

With support for some of the

world’s major storage appliances,

Imagen can be installed on-

premises as part of an existing

broadcast archive or production

workflow, or accessed as a pay-

as-you-grow cloud-based service

with infinite storage capacity.

Tom Blake, managing

director, Cambridge Imaging

Systems, said: “When it comes

to content, there are two key

problems facing the broadcast

industry today: how to centrally

manage and archive the

enormous amounts of video

being generated by companies

in the media and entertainment

industry, and how to provide

your audience with access to

that content in a cost effective

and efficient way. Imagen

answers these issues, providing

a long-term archive for media

while simultaneously making it

available to staff and customers

online through a highly

customisable website.”

Imagen users include

Endemol, IMG, the BBC,

Channel 4, ITN, the Imperial War

Museum and the British Library.

CELEBRATING 70 YEARS

Shotoku Broadcast

Systems

Stand: C36

By Melanie

Dayasena-Lowe

Shotoku Broadcast Systems

starts 2015 by marking its 70th

anniversary as a supplier to the

broadcast industry. At this year’s

BVE, the company is showing

its range of manual camera

supports for professional, OB

and studio applications, as well

as offering demonstrations of its

Robotic Camera Control Systems

which are used extensively in

live news production,

parliamentary broadcasting and

24-hour shopping channels

around the world.

The company is highlighting

its popular and cost-effective SP

Professional Tripod series, aimed

at professional applications, which

was received with much success

at last year’s BVE. In addition,

the company is showcasing its

SH100 ENG Fluid head, versatile

SX300 EFP pan tan tilt head, and

the TP200 studio pedestal.

The SX300 features

outstanding balance, a robust

build and ergonomic design.

With a high capacity 40kg

(88lbs) payload and wide-

balance capability, the SX300

supports an array of cameras,

lenses and accessories,

making it suitable for field

production, OB and studio use.

The ergonomically designed

TP200 handles a maximum

payload of more than 80kg

(177lbs) and supports a wide

range of camera configurations.

One-step foot brake and

single-action cable guard

enables precise movements

and control at all times for

fast, easy positioning.

The SH series pan and

tilt fluid head’s drag controls

make it easy to adjust the

head from low to high torque

to provide the smooth, high

quality movement needed for

calm, clear camera work.

Designed as a multipurpose

head, suitable for news,

documentary, drama, and

live sports work, the SH100

is one of Shotoku’s premier

ENG/EFP pan and tilt heads.

The SH120 extends system

coverage for payloads of

up to 25kg.

Shotoku is also using BVE

as an opportunity to offer a

preview of the newest addition

to its family, its lightweight

pedestal system, that will be

officially introduced in Q2.

VS4RECORDER PRO APP

Matrox Video

Stand: J19

By Heather McLean

VS4Recorder Pro, a multi-

camera recording and

multiviewer app for use with

Matrox VS4 quad HD capture

cards, is being demonstrated

here at BVE by Matrox Video.

Launched last September,

each VS4-based recording

system captures up to four

video and audio inputs to create

files for use with popular editing

apps from Adobe, Apple and

Avid and for archiving. H.264 is

provided in either MOV or MP4

wrappers, while AVI files can be

created using the high quality

Matrox MPEG 2 I-Frame codec.

MOV QuickTime files can be

created using DV, DVCPRO,

DVCPRO50 and DVCPRO HD.

VS4Recorder Pro also functions

as a multiviewer, offering

pristine video quality even when

monitoring interlaced sources on

progressive computer monitors.

“Synchronised, frame-

accurate, multi-channel HD

capture is simpler and more

affordable than ever before,”

said Wayne Andrews, product

manager, Matrox Video. “With

VS4 Recorder Pro, live event

producers and video editors get

the quality, versatility and intuitive

control they want, at a fraction

of the usual cost. Complete

systems can be assembled for

as little as $3,500 and as much

storage as needed can easily

be added.”

Additional features of

VS4Recorder Pro include:

automatic input detection for

quick on-site set up; event

markers for Adobe Premiere

CC so that while recording,

users can highlight moments

of interest for quicker post-

event editing; settings for

capture duration and file

switching without frame loss;

VS4Control for gang recording

of an unlimited number of video

sources simply by networking

multiple VS4-enabled machines

together in a master-slave

configuration; and DirectShow

filters for developers to

incorporate VS4 functionality

in their own applications. VS4-

based systems are also ideal

for multi-camera live production

streaming with Telestream

Wirecast for Windows or

StudioCoast vMix software.

The SX300 supports an

array of cameras, lenses

and accessories, making it

suitable for ﬁeld production,

OB and studio use

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